剧情:
转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich收起
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瑞安·雷诺兹 休·杰克曼 艾玛·科林 马修·麦克费登 乔恩·费儒 莫蕾娜·巴卡琳 罗伯·德兰尼 莱斯利·格塞斯 克里斯·埃文斯 亨利·卡维尔 达芙妮·基恩 詹妮弗·加纳 查宁·塔图姆 韦斯利·斯奈普斯 布蕾克·莱弗利 乌米·马萨库 克里斯·海姆斯沃斯 亚伦·斯坦福 泰勒·梅恩 卡兰·索尼 布里安娜·希德布兰德 忽那汐里 斯蒂芬·卡皮契奇 兰德尔·瑞德 刘易斯·陈 Nicholas Pauley 索妮塔·
史上最另类超级英雄、语不惊人死不休的死侍(瑞安·雷诺兹 Ryan Reynolds 饰)睽违六年终于万众瞩目重返大银幕,更首度加入漫威电影宇宙!除了与老搭档钢力士、负音波少年弹头和雪绪再度聚首,更将与
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